A Clean Audio Installation Guide™
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5.0 INTERCONNECT
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5.1 Balanced Inputs
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5.2 Balanced Outputs
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5.3 Star Ground
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5.4 Shield Wires
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5.4.1 Forward Referencing
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5.5 Jackfields
5.0 INTERCONNECT
And now for the nitty gritty. If you adopt the following rules
for the interconnection of your equipment, hum free audio can
usually be achieved the first time around.
5.1 Balanced Inputs
All equipment must have well-trimmed balanced
inputs, preferably high impedance. This is absolutely necessary,
as we have just seen, to reject the residual power line related
voltage differences between pieces of equipment. For equipment
that does not have balanced inputs from the factory, use an interface
box such as the Benchmark IFA-1. Alternatively, install internal
balanced inputs such as the Benchmark DIA-1 or DIA-2. This is
sometimes preferable because of the control that you have over
the interface grounds.
5.2 Balanced Outputs
All equipment should have balanced low impedance outputs.
However, satisfactory performance from unbalanced outputs can
sometimes be obtained using these rules of interconnection, provided
the existing output is low impedance (50 ohm or less) and the
line is not a long line in a high RF field.
!!!CAUTION!!!
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The output impedance of most consumer and semi-pro equipment
ranges from 1k ohm to 10k ohm. This is purposefully done to protect
you, dear reader, and the equipment, against the use of Y cables
used to sum output signals to mono.
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Without the large build out resistor (the actual output stage
is usually an op-amp with a 0 ohm output impedance) the output
amplifiers would be fighting each other and oscillation is the
result. This is the only advantage for increasing the output
impedance. As we have seen earlier, there are very significant
disadvantages to a high output impedance. In addition to the havoc
that is wreaked on frequency response by the high output impedance
and cable capacitance, another major problem will occur. If a
differential input is used as the line receiver from such an output,
the high output impedance will severely unbalance the diff-amp
network and ruin the wonderful CMR that we paid dearly to achieve.
The CMRR of a balanced receiver connected to an unbalanced source
is determined by the ratio of the input impedance of the receiver
to the output impedance of the source. It is better to play it
safe, if at all possible, and add balanced, low impedance outputs
where they do not exist. At a bare minimum, reduce the source
impedance of the unbalanced output to approximately 30 ohm. Then
add the same resistance to the output ground side. These two resistors
should be matched as closely as possible, i.e. approximately 0.01%.
This will provide a balanced output impedance to the differential
input, even though the signal itself is not balanced. In order
to really maintain the CMRR of the input diff-amp, an instrumentation
type input stage is needed with identical input impedance on each
leg of the input stage. (See figure 4)
5.3 Star Ground
Interconnect the analog reference from all pieces of equipment
with a separate insulated ground wire (#14 or larger is preferable)
to form a "star" or single point ground system. The
hub of this star could be a 1/4" thick copper plate perhaps
4 by 6 inches in size and located physically at the center of
the audio signal hub, i.e. an audio console, distribution amplifier
or routing switcher system. The copper plate needs to be insulated
from any other ground. An additional wire must be added to this
star to connect the copper plate to the system's power ground
located within the power box, or, better yet, go directly to the
power company's local ground point, typically a ground stake.
Be sure to use your own clamp.
At times, this "star" configuration must be created
using the third wire (safety ground) of the power cord. This is,
most assuredly, inferior to a separate conductor from
the power system star ground, the reason being that the "ground
reference" third wire may have a power related signal induced
into it by the parallel runs of current carrying mains. Not only
that, but ferrous conduit, while ideal from a shielding standpoint,
will raise the impedance of the ground wire, and render it ineffective
at all but power line frequencies. However, if the equipment does
not have an analog signal "ground" reference within
the chassis that can be made to float from the chassis, as is
often the case, then this may be the only recourse. Do not be
tempted to eliminate the third wire safety ground. It has been
included to protect your life in the event of a power line component
failure! Third wire safety grounds should have a separate wire
that returns to the power box from every isolated type outlet
(Hubbel #IG5362, or General Electric #GE8300-IG). Do not use the
metal conduit as a substitute for the separate third wire. This
separate third wire arrangement forces a star configuration. These
third wire grounds should tie together in the power box via a
copper buss bar that is floating from the box, which in turn is
tied to the power system ground point via a 4-0 cable. (See Ref.
1 for more information)
In any case, all signal references must be tied together with
a separate wire other than the drain of the shielded pair used
to interconnect the signals, and, hopefully, these references
will be tied together with only one external wire.
Ideally, all chassis will be tied via a brute force
system by the equipment racks in which they are installed, and
the signal references will be tied together via
a star wire system. Better equipment manufacturers provide a terminal
strip with the signal reference on one terminal and the chassis
ground in the adjacent terminal in their equipment to allow for
proper grounding practice.
With large systems, such as in network facilities where there
are many systems that must be interconnected, a star of stars
is the correct approach to take. The hub of the stars is again
the central point of the signal distribution, usually the distribution
amplifier or routing switcher system. The time taken in carefully
thinking through this signal reference system will pay large dividends.
5.4 Shield Wires
Connect all inputs and outputs together without connecting the
drain (or shield, if you prefer) at one end. The reason for not
tying both ends to the shield is that we do not want any power
line related currents to flow between equipment through this wire
and risk inducing a signal into our audio inputs. Edgar Lee Howard(11)
has shown that a technical advantage exists for tying the shield
of an interconnect cable at the send end rather than at the receive
end. The potential advantage is a reduction in coupling of high
frequency noise to the audio signal due to "line to shield"
capacitive unbalances.
Figure 4 - FORWARD REFERENCING
5.4.1 Forward Referencing
Balanced outputs, of course, are connected in the normal one-to-one
manner. However, unbalanced outputs must be connected so that
the signal is forward referenced (See Figure 4). This is accomplished
by connecting the non-inverting (+) input to the output terminal
and the inverting (-) input to the "ground" (signal
reference) terminal of the unbalanced output. Now, any difference
of potential that still remains between the two pieces of equipment
will be ignored by the input as a common mode signal.
5.5 Jackfields
When using jackfields, be sure to use a fully balanced jackfield
even when connecting to unbalanced outputs so that forward referencing can be maintained.
The jackfield presents an interesting problem in light of the
above shield connection recommendations because the shield lines
of the jacks are not usually switched. If you wire the jackfield
so that the drain wires tie across from output jack to input jack
as a part of the "normaled" wiring and do not buss the
grounds together, everything is "according to Hoyle"
...until you patch. Then, all at once, you have grounds tied together
that you did not want. Perhaps the best way to approach the wiring
of a non ground-switching jackfield is to tie all drain wires
at the equipment ends, both input and output, but not at the jackfield.
Then, at the jackfield buss all grounds together and tie them
to the system ground as though it were a separate piece of equipment,
using a separate insulated ground wire.
However, the best approach to the problems of ground loops with
patch bays is to use ground switching jacks. The following devices
will switch the ground when a patch cord is inserted: ADC JJ-075;
Switchcraft MT-336A; Audio Accessories 322A - Mil JJ-075. While
it is not common to run microphone lines through a patch bay,
occasionally it is necessary. In such a case, it is our firm recommendation
that ground switching jacks be used.
Go to: Section 6.0
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